The original mix by Breach ought to get the credit for injecting the musicality into this, lets face it, ‘beat’.
As the title suggests, Doc Daneeka’s contribution is ‘more snares’, and a wicked bassline. The paranoid synth and fluttering flute belong to the more toned down first version.
I love the tribal drums and earth shaking low end on this mix though. A song like this can work within dubstep, funky and wider UK bass circles, blending moodiness and energy into one belter!
Both versions of the song came out in 2010 and have been lighting up UK dancefloors ever since…