This song has an interesting history. Although Prince did record the song himself in 1984, he didn’t release the song himself. Technically, the song was released in 1985 as part of Prince’s ‘The Family’ project, although this didn’t make much of an impact.
The song was initially popularised by Sinead O’Connor, who released a version in 1990 which became a hit.
Her cover is alright, but doesn’t have the same ‘Prince-ness’ as the original.
The Prince version is a slow jam, driven by guitar riffs and some particularly emphatic vocals.
As with all good slow jams, there’s a classy horns part – with the attendant guitar noodling excellence.
The backing vocals also add an extra layer of lushness, which is sorely missing in the 1990 cover.
After Prince’s death, his estate released his recording. This means that this gem was only officially released in 2018, 34 years after it was recorded.
Soft Cell might not be to everyone’s taste. It depends on what you think of Marc Almond and his often outrageous lyrics, for the most part.
I personally think his singing style suits Dave Ball’s magnificent production very well – and would probably struggle to imagine their songs any other way.
I only knew Soft Cell from their big hit, “Tainted Love”, which captures some of the duo’s spirit, but by no means truly represents them.
This song is most glorious in its extended form. The first three minutes consist of the instrumental with a clarinet over the top, which sets the majestic scene for the later parts of the song.
The synth strings in this song are some of the most moving sounds I’ve heard in a while, and are a key reason why this song is so brilliant. The choruses are so wistful, the verses wry and slightly dejected.
“Say Hello, Wave Goodbye” was released in 1981 on the debut album from Soft Cell, Non-Stop Erotic Cabaret. But this more resplendent version was released a year later in ’82.
How could you listen to this song, knowing that Stevie Wonder played it all himself, and not recognise him as a musical genius?
In fairness, he wrote the song in conjunction with Gary Byrd. That shouldn’t detract from the magic he wrings from just him and his synthesiser…
It’s an intensely powerful ballad, documenting the darkest sides of America’s poorest neighbourhoods – and the way rich people sometimes shrug off the deprivation in their society. The lyrics really don’t hold back at all.
There’s no drum or bass. There’s only a densely layered orchestra of synth strings, played on Stevie’s keyboard. Stevie Wonder’s singing rings out clear over the top, relaying the tragic fate of his community.
“Village Ghetto Land” came out on the legendary Songs In The Key Of Life album in 1976, which is widely recognised as one of the greatest albums ever made.
I’d find it hard to choose my favourite ABBA song. However, I could safely place this in the top five, and would be quite confident of putting it in the top three!
The song just has a transcendent quality to it, particularly on the choruses. Interestingly, the chorus reminded Bjorn and Benny of a church hymn – so they added a discordant chorus effect to amplify that feeling!
The song has a natural groove to it; although the vibe is different from the verse to the pre-chorus, there’s a fundamental funkiness. I particularly like the drums, which are a masterclass in understated disco tightness.
The keyboard strings are luscious, adding a charming grandeur to the song.
The main hook from the backing track is the deftly plucked guitar, which both echoes and embellishes the bassline.
“Lay All Your Love On Me” was released in 1980 on Super Trouper. It was also a hugely successful single!
The official Beatles video of this demonstrates pretty well the kind of hysteria the Beatles caused among teenage girls at their height. In the video, the band is just calmly performing the song, as wholesome as you like, and the music is layered thickly with a wall of screams.
At some performances, the Beatles’ music could barely be heard over the screams. I can’t think of any artists today who inspire that level of fandom…
This song didn’t go to number one immediately in the U.K., because another one of the band’s songs was already there…
Rest assured, it did reach number 1 a couple of weeks later, and stayed there for 5 weeks. It was also the track that broke them into the American market, as it was their first number one hit in the U.S.A.
The song is a solid burst of happy energy, witnessing the Beatles at their most exuberant. The lyrics are very polite by modern standards, which stands the song in good stead, in my view.
Billy Ocean is one of the most successful British R’n’B acts, with a decades long career.
This song is the one which enabled him to quit his job at the Ford factory, and focus on music.
It’s very much a pop song, with a bright and cheerful vibe offset by a slight tinge of regretfulness. The lyrics tell a story of unrequited love, spurned by some girl who gives her affection to myriad other guys…
The instrumental sounds more like a 60s track to me, with jingly drums, bouncy piano, sultry backing singers, lowkey brass and lush strings. The strings in particular are very tastefully done in the verses.
The song is damningly similar to “I Can’t Help Myself” by The Four Tops, released a year earlier, but in fairness that song lacks something in comparison to this.
“Love Really Hurts Without You” was released in 1976, and reached number 2 in the U.K. singles chart.
Tame Impala are one of the biggest things to happen to the world of trippy indie rock recently. They’re the new flavour drifting through the hazy airwaves. They’re psychedelic and popular at the same time.
You only need to watch the video for this to realise what it mean. They’ve paired a pop track with some opaque lyrics to a completely insane video!
The song itself is just undeniably a crowdpleaser. Catchy basslines have been a theme with my posts recently, but this one really is a doozy. The world is a considerably better place because of the invention of this bassline!
Lyrically, the song deals with a love triangle between a girl, boy, and sports team mascot. However, you can extrapolate the feeling to normal situations. It’s a song of yearning.
The vocals are washed out and dreamlike, mingling with the various rhodes hits and synth swells, creating an airy soundscape full of regret.
“The Less I Know The Better” was released in 2015 on Currents, and is now certified Gold in the U.S., Silver in the U.K., and Gold in the band’s native Australia.
Elton John is a massive star, with enduring power. He has been popular for decades, and his inimitable style shines through whatever he does. His fashion sense has calmed down since the 80s, but he’s still as flamboyant as ever.
“I’m Still Standing” can have a few meanings. Part of the reason for this is because a lot of Elton’s lyrics were written by Bernie Taupin, his longtime collaborator.
So for Elton John, the song is about how he remained popular even as tastes changed in the 80s. For Taupin, it’s about proving to an ex that he doesn’t need them. I thought it was just a general motivational song about overcoming adversity.
The song itself is a very triumphant one, with an unabashedly “Elton” video to go with it. It’s fast, with big, bold keys and a furiously twanging bassline.
The vocal performance is very strong, and I do think that the “yeah yeah yeah” part works great!
“I’m Still Standing” was released on Too Low For Zero, Elton John’s 1983 album. It was a reasonably strong hit, and got to number 4 on the U.K. Singles chart.