One of the seminal DMZ tracks, this 2006 track goes for silly amounts on discogs. Loefah actually released all his DMZ tracks on Bandcamp recently though.
There are a few excellent takes of this truly lovely song – I picked this one because I have a softness for jazz guitar sometimes…
This wonderful rendition was released in 2007 on The Soft Side Of Jazz.
If dopeness was a physical thing this would be heavy with it.
Released on 2003’s Full Circle, and still as chill as ever!
Incredibly contemplative – somehow Autumnal in its wistfulness, although the album it comes from is called Wintermusik.
Released in 2009, the album is improvisational piano music for his family and friends recorded for a Christmas present in 2007. Nice touch…
Hardly a hidden gem, this Platinum certified banger was a top ten hit in many countries around the world.
The energy on this one is ferocious – tribal drums and a hard bassline give extra power to Nelly Furtado’s already strong vocal performance.
The song was released in 2006, a single from the album Loose, and is produced by Timbaland.
Why is this song so heavy? You can only assume that it is intentional; that the waves of bass which crash out of the speakers are the result of a conscious desire to make an earth shaking roots tune, rather than heavy-handedness at the mixing desk.
As you might expect, the low-end propels the song forward, but the hook is still a vocal one – and there’s able assistance from a guitar riff as well, providing a good deal of melodic staying power.
The lyrics, delivered in a gruff but positive manner, are a classic affirmation of Rastafari faith, of not being swayed by evil and being close to Jah.
The song was released in 2000, on the limited, self-released album World Tour. The release is a CDr, not a proper CD, and is on his own Dread At The Controls Imprint.
Mikey Dread was a true legend in the Reggae world, having been at the forefront of roots in the 70s. Tragically, he died in 2008 of a brain tumour.
Boards Of Canada are undoubtedly a rare sort. You might put Aphex Twin and Burial in the same class; they make weird electronic music that straddles the world of Ambient and IDM.
“1969” exemplifies the strange charm Boards Of Canada’s music has. A scratchy, lo-fi beat holds up a truly cosmic synth. These two elements create the hypnotic backbone of the song. Then, some disturbing and garbled lyrics appear.
The “hook” of the song – in so far as it has one – is the discordant wave of bleeps.
As with much Boards Of Canada music, the sound is both beautiful and disorientating at the same time.
The song was released in 2002 on Geogaddi, which has a vaguely occult feeling, full of obscure references to vaguely occult things.